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dc.contributorMiotti, Laura Lucia
dc.contributorSalemme, Monica Cira
dc.contributorHermo, Dario Omar
dc.creatorCarden, Natalia Marina
dc.date2022
dc.date.accessioned2024-08-02T01:21:39Z
dc.date.available2024-08-02T01:21:39Z
dc.identifierhttp://hdl.handle.net/11336/204312
dc.identifierCarden, Natalia Marina; Back to a Time Perspective: New Insights for the Study of Piedra Museo’s Ancient Rock Art, Patagonia, Argentina; Springer; 2022; 399-420
dc.identifier978-3-030-92503-1
dc.identifier2366-3421
dc.identifier2366-343X
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttps://suquia.ffyh.unc.edu.ar/handle/suquia/174944
dc.descriptionPiedra Museo´s rock art was long debated since the beginning of the twentiethcentury. Since the field studies conducted in 1988, petroglyphs and pictographs were systematically recorded and analyzed from a landscape archaeology viewpoint. This chapter reviews these previous results through a time perspective. The main objectives are building a rock art sequencethrough relative dating methods and relating it with the history of the human occupations in the locality. The sequence was defined through the analysis of superimpositions and preservation criteria. The position of buried painting vestiges and rock art panels respect to dated strata was also considered. Four episodes were defined; the first one is composed of red paintings, mainly handstencils, which can be traced back to the mid Holocene and, possibly, to the Pleistocene/Holocene transition. The second one includes a scarce number of white hand stencils and paint remains. The third one corresponds to engraving events whose maximum age is the end of the mid Holocene. The fourth painting episode includes diverse expressions of hand reproductions in different colors.
dc.descriptionFil: Carden, Natalia Marina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Investigaciones Arqueológicas y Paleontológicas del Cuaternario Pampeano. Universidad Nacional del Centro de la Provincia de Buenos Aires. Investigaciones Arqueológicas y Paleontológicas del Cuaternario Pampeano; Argentina
dc.formatapplication/pdf
dc.formatapplication/pdf
dc.languageeng
dc.publisherSpringer
dc.relationinfo:eu-repo/semantics/altIdentifier/url/https://link.springer.com/chapter/10.1007/978-3-030-92503-1_14
dc.relationinfo:eu-repo/semantics/altIdentifier/doi/10.1007/978-3-030-92503-1_14
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subjectPetroglyphs
dc.subjectPictographs
dc.subjectSuperimpositions
dc.subjectSequence
dc.subjecthttps://purl.org/becyt/ford/6.1
dc.subjecthttps://purl.org/becyt/ford/6
dc.titleBack to a Time Perspective: New Insights for the Study of Piedra Museo’s Ancient Rock Art, Patagonia, Argentina
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typeinfo:eu-repo/semantics/bookPart
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