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Rock art in Central and South America: social settins and regional diversity

dc.contributorDavid, Bruno
dc.contributorMcNiven, Ian J.
dc.creatorTroncoso, Andrés
dc.creatorArmstrong, Felipe
dc.creatorBasile, Mara Valeria
dc.date2018
dc.date.accessioned2021-04-06T18:26:55Z
dc.date.available2021-04-06T18:26:55Z
dc.identifierTroncoso, Andrés; Armstrong, Felipe; Basile, Mara Valeria; Rock art in Central and South America: social settins and regional diversity; Oxford University Press; 2018; 273-314
dc.identifier9780190607357
dc.identifierhttp://hdl.handle.net/11336/104627
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttp://suquia.ffyh.unc.edu.ar/handle/11336/104627
dc.descriptionCentral and South America is a vast region, where a wide range of different societies established, transformed, disappeared, and endured. This kaleidoscope of peoples offers a particularly rich and diverse body of rock art in terms of its historical, technical, visual, and spatial features. The first sections of this chapter briefly introduces the reader to this diversity, as well as to the history of rock art research, presenting and discussing the different theoretical and methodological frameworks used. The authors discuss the role that rock art played?and still plays?for different groups, which they have grouped in terms of their common socioeconomic strategies. The authors argue that rock art research from this region can contribute to the wider understanding of rock art in the world, offering its materialistic and archaeological approaches ranging from the study of social complexity, the domestication of animals, mobility, and memory
dc.descriptionFil: Troncoso, Andrés. Universidad de Chile; Chile
dc.descriptionFil: Armstrong, Felipe. University College London; Estados Unidos
dc.descriptionFil: Basile, Mara Valeria. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Instituto de las Culturas. Universidad de Buenos Aires. Instituto de las Culturas; Argentina. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Museo Etnográfico "Juan B. Ambrosetti"; Argentina
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dc.formatapplication/pdf
dc.languageeng
dc.publisherOxford University Press
dc.relationinfo:eu-repo/semantics/altIdentifier/url/https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190607357.001.0001/oxfordhb-9780190607357-e-53
dc.relationinfo:eu-repo/semantics/altIdentifier/doi/10.1093/oxfordhb/9780190607357.013.53v
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.sourceOxford handbook of archaeology and anthropology of rock art
dc.subjectSouth America
dc.subjectCentral America
dc.subjectRock art
dc.subjectTheoretical approaches
dc.subjectHunter-gatherers
dc.subjectAgrarian communities
dc.subjectPre-Hispanic states
dc.subjectArqueología
dc.subjectHistoria y Arqueología
dc.subjectHUMANIDADES
dc.titleRock art in Central and South America: social settins and regional diversity
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typeinfo:eu-repo/semantics/bookPart
dc.typeinfo:ar-repo/semantics/parte de libro


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